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SOLDOut of stock
Item Details 19th Century Giltwood Mirror. Handpainted and Gilt Eglomise Panel all surrounding the mirror plate. Landscape in upper panel, Neoclassical urns in side. Just lovey. A great survivor Ex. Collection, Palm Beach Dimensions: Height: 56.75 in (144.15 cm) Width: 34 in (86.36 cm) Depth: 3 in (7.62 cm) Style: Neoclassical (Of the Period) Materials and Techniques: Giltwood,Hand-Painted Place of Origin: England Period: 19th Century Date of Manufacture: 1840 Condition: Good Additions or alterations made to the original: Refreshing to gilt and green painted frame. Wear consistent with age and use. -
About
Period Swedish Empire Eagle Console and Original Accompanying Mirror. Original Gilding and Painted Faux Marble and Faux Porphyry. Pier Table Approx. dimensions of the table, h. 31.5", w. 28.75", d. 14.75"; of the mirror, h. 64", w. 27.75", d. 2.75" Provenance: Purchased at Sotheby's in the Late 1980's Neoclassical Period Kart XIV Johan.Details
Dimensions
Height: 95.5 in. (242.57 cm) Width: 28.75 in. (73.03 cm) Depth: 14.75 in. (37.47 cm) Sold As: Set of 2 Materials and Techniques: Giltwood, Marble, Mirror, Painted, Period: Early 19th Century Date of Manufacture: 1820-1835 Condition Good Wear consistent with age and use. chips here and there. original surfaces. Seller Location Essex, MA -
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Fine 19th century Philadelphia walnut and gilt chippendale pier mirror. Gilt festoons of foliage and fruit flanking a walnut frame trimmed in gilded georgian carving. Shell Carving as finial. Naturally aged mirror plate provides a wonderful period feel. Provenance: from a private Upstate New York Collector.Details
Dimensions
Height: 55 in. (139.7 cm) Width: 28 in. (71.12 cm) Depth: 1.5 in. (3.81 cm) Style: Chippendale (In the Style Of) Materials and Techniques: Giltwood, Mirror, Walnut Place of Origin: United States Period: Mid-19th Century Date of Manufacture: 1850 Condition Good Great patina. -
American Tall Case or Longcase Clock by Frederick Wingate, Augusta, ME 1818. This very well-proportioned clock is made of indigenous wood, birch, Birdseye maple and pine secondary wood. Retaining all its original elements. Raised bracket feet, a New England style pierced bonnet top in open fretwork pattern. The dial was most likely painted in Boston. Very similar to dials painted by Spencer Nolan who rented space from his father-in-law, Aaron Willard. --retains original weights and pendulum as well. Notes: rederick Wingate was born in Haverhill, Massachusetts, on January 11, 1782, and died in Augusta, Maine, on November 16, 1864. Frederick worked as a silversmith, watchmaker, and clockmaker, and became one of Maine's most prolific clockmakers. He may have learned his trade in Massachusetts before moving to Augusta. As a clockmaker, he made many tall clocks, as well as some banjo and mirror clocks. Frederick taught Benjamin Swan, who was from Augusta, to make clocks. Swan's clocks are often very similar to Frederick's, sharing features like case design, contrasting woods, and Nolen & Curtis dials. Many Augusta clocks also use figured maple in the waist door and base panel, have distinctively shaped waist and hood columns, and Boston-painted dials by Spencer Nolen. Creator: Frederick Wingate (Clockmaker) Dimensions: Height: 91 in (231.14 cm) Width: 20 in (50.8 cm) Depth: 10 in (25.4 cm) Style: Federal (Of the Period) Materials and Techniques: Birch,Birdseye Maple,Pine Place of Origin: United States Period: Early 19th Century Date of Manufacture: 1818 Condition: Good Wear consistent with age and use. Some minor loss to face paint restoration. -
Item Details
A Rare and Complete American Federal Tall Case Clock. Riley Whiting Wooden Works, original. A Rufus Cole Grain-Painted and Stenciled Case. Signed R. Cole Painter. Circa 1820-25 Rufus Cole worked in partnership with his father, Abraham, in the Mohawk Valley of New York at Broadalbin-just west of Albany, combining talent producing notable tall cases during the 1820s and the early 1830s. Abraham Cole is listed in the Grantor Records of Montgomery County-1835 as carpenter and co owner of a sawmill with son Rufus listed as a painter; underscoring the logic that father made the cases while son painted and decorated. This duo incorporated a variety of 30-hour wooden works made by prominent makers of the period; all bonnets and cases are similar with the exception of the finial shape. In this case a Riley Whiting face and works had been selected by Cole. This dramatic example with imaginative whirling flourishes grained with various shades of brownish red against a background While the graining paint was wet Cole created striping by removing the solution in straight lines the end result being simulated inlay. The elaborately ornamented case is gilt stenciled with bronze powder motifs found on the bonnet, throat and base; featured are diamond shaped devices on throat and base painted black offering a strong palate for over-stenciled baskets of fruits and flowers. An almost identical clock was sold in Massachusetts. The only difference is that there was an eagle stenciled in bronze paint on that case, just above the door. Our clock has a stag stenciled in that location. Also our clock retains all of its original varnish. A truly magnificent survivorDimensions:
Height: 88.5 in (224.79 cm) Width: 17 in (43.18 cm) Depth: 10.5 in (26.67 cm) Style: Federal (Of the Period) Materials and Techniques: Pine,Faux Bois,Hand-Painted Place of Origin: United States Period: Early 19th Century Date of Manufacture: 1820 Condition: Good Repaired: Repair to one swan neck of pediment. Wear consistent with age and use. -
About
Partial set of Samson hand painted Chinese Export style porcelain for the American Market. In beautiful orange trim with hand printed gilt motif. American eagle in centre with Shield. 20th century, in tones of rust and brown with gold accents having a guilloche border, the eagle with a rising sun holding a shield on a field with scattered floral sprigs, Similar to late 18th century Chinese export porcelain made during the Federal period and marketed to the United States. John Adams Service is an example. This Samson copy made in the late 19th century is remarkably detailed, hand painted, true to thickness and integrity of the earlier Chinese pieces. I have only seen a few pieces of this service on the market. This is a wonderful, useable service. All listed below in very good condition, with no chips or hairlines. 5 dinner plates. 9 3/4" 7 soup bowls 9 1/4" 6 tea cups and 6 deep saucers 5 coffee cups with 3 deep saucers 1 sauce boat with underplate 1 large platter 17" x 12" 1 large double handled serving bowl 1 Helmut pitcher 1 large coffee pot Additional pieces included: 1 soup, 2 plates with tiny chips can be used for light fare or display.Details
Creator Edmé Samson (Manufacturer)Dimensions
Height: 1.5 in. (3.81 cm) Diameter: 9.75 in. (24.77 cm) Sold As: Set of 42 Style: Federal (In the Style Of) Materials and Techniques: Hand-Painted, Porcelain Place of Origin: France Period: Late 19th Century Date of Manufacture: 1900-1920 Condition Good Wear consistent with age and use. as above. Seller Location Essex, MA -
Item Details Early 18th Century Irish George II Giltwood Mirror. Carved Rococo with foliate and fruit. Original gilding with wear. Original beveled mirror in magnificent oxidized state. Dimensions: Height: 42 in (106.68 cm) Width: 23.5 in (59.69 cm) Depth: 1 in (2.54 cm) Style: George II (Of the Period) Materials and Techniques: Giltwood, Mirror, Hand-Carved Place of Origin: Ireland, Republic of Period: Early 18th Century Date of Manufacture: 1740 Condition: Good Repaired: minor touchup original gilding. Wear consistent with age and use. -
About
Period American Federal convex girandole mirror of monumental size. Giltwood with original gilding and mirror. New York.Details
Dimensions Height: 61 in. (154.94 cm) Width: 46 in. (116.84 cm) Depth: 8 in. (20.32 cm) Style: Federal (Of the Period) Materials and Techniques: Giltwood Place of Origin: United States Period: Early 19th Century Date of Manufacture: 1815 Condition Good Repaired: Minor touchup to gilding. Wear consistent with age and use. -
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Rare form of a double-headed Hapsburg Eagle wall clock. Early 19th century with a chic black painted swag. Can always be fitted with a modern clock work. Dial and gilding originalDetails
Dimension
Height: 26.5 in. (67.31 cm) Width: 16 in. (40.64 cm) Depth: 6 in. (15.24 cm) Style: Neoclassical (Of the Period) Materials and Techniques: Giltwood Place of Origin: Austria Period: Early 19th Century Date of Manufacture: 1820 Condition Fair Additions or alterations made to the original: Original gilding but swag painted a chic black at later date. Replacements made: no works, holes in dial plugged. Minor losses. Seller Location Essex, MA -
SOLDOut of stock
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Early 19th century Danish carved and giltwood neoclassical tall case clock. Original gilding on all hand carved neoclassical ornamentation. Palace provenance, more than likely. Profile of each a man and a woman, most likely nobility or from the Royal house. Works are of English (London) origin as are quite often seen in Danish tall clocks. There was a strong English influence at that period which influenced form. The works also carry a "royal" motif of crown and cupids in the spandrels. Amazing piece.Details
Dimensions
Height: 93 in. (236.22 cm) Width: 20 in. (50.8 cm) Depth: 10 in. (25.4 cm) Style: Neoclassical (Of the Period) Materials and Techniques: Carved, Giltwood, Brass Place of Origin: Denmark Period: Early 19th Century Date of Manufacture: 1800-1815 Condition Good Repaired: Minor restoration to a few missing carved elements. Wear consistent with age and use. Paint left as is. Works were put into working condition. Seller Location Essex, MA -
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Early Nineteenth Century George III or Regency Eglomise Mirror of Carved Beechwood. The rectangular mirror plate flanked by eglomise panels of tassels, each hung with medallions of trophies and classical figures, surmounted by an eglomise panel reserved with an oval print depicting a maid and sheep, draped by a pair of overturned floral-filled cornucopia, the crest carved with a jardiniere issuing a Prince-of-Wales plume and draped with bellflower swags, all above the pendants carved with flowers, fluted pilasters, crosshatching and leaves. Dimensions:- Height: 47 in (119.38 cm)
- Width: 23 in (58.42 cm)
- Depth: 3 in (7.62 cm)
